Porto's Serralves Museum of Contemporary Art has unveiled a season that brings together five artists working across very different materials and concerns. The centrepiece is a first major presentation in Portugal by Lee Ufan, the Japanese-Korean artist and leading thinker of the Mono-ha movement, whose work has spent six decades probing how objects, materials and space shape perception.

Lee Ufan's exhibition, titled Fragments of Infinity, runs from October 16, 2026 to March 7, 2027, staged across the Serralves Villa and its park. It anchors a programme that the museum frames as an exploration of how art alters the way people see the world, engages with political and historical realities, and builds new relationships between works and audiences.

Two exhibitions already on view continue through the winter. Jenny Holzer's Wrong Answers runs until January 3, 2027, while Alice Neel's Beautifully Imperfect, in the Alvaro Siza Wing, continues until January 17. Both shows extend the season's range from language-based installation to intimate portraiture.

Looking ahead, filmmaker Miguel Gomes presents work from October 31, 2026 to May 30, 2027 at the Manoel de Oliveira House of Cinema, and Anri Sala opens a site-specific presentation on November 27, running to April 25, 2027. Together, the five presentations underline Serralves' habit of mixing generations, geographies and disciplines in a single season.

Serralves, set in a large park in Porto, is Portugal's most visited contemporary art museum, and its seasonal programmes are closely followed across Europe. By placing a Mono-ha pioneer beside two major American artists and two very different moving-image voices, the museum is betting that breadth, rather than a single theme, is what will draw audiences through the winter.