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SAIC alum Rodney McMillian joins 2026 MacArthur fellowship class
The MacArthur Foundation has named School of the Art Institute of Chicago graduate Rodney McMillian a 2026 MacArthur Fellow, recognizing his sculptures, paintings, videos and installations that confront race, class and American history.

The School of the Art Institute of Chicago has announced that one of its own, Rodney McMillian, has been named a 2026 MacArthur Fellow. McMillian, who earned a post-baccalaureate certificate from SAIC in 2000, is among this year's class of fellows recognized by the MacArthur Foundation for exceptional creativity and the promise of future work. The fellowship carries a no-strings-attached stipend of $800,000, paid out over five years, intended to give recipients the freedom to pursue their most ambitious projects. McMillian's practice moves across sculpture, painting, video and installation, often weaving together found objects and everyday materials into works that interrogate American social and political history. His art frequently returns to questions of race and class in the United States, and he has built a reputation for installations that transform the gallery into spaces of reckoning with uncomfortable pasts. Museums and exhibition venues across the country have shown his work, and critics have praised the way he turns familiar materials toward unexpected, charged ends. SAIC's announcement frames the honor as the latest in a long line of distinctions earned by the school's alumni. The MacArthur Fellowship, often called the "genius grant," is awarded through a confidential nomination and review process, and recipients learn of their selection only shortly before the public announcement. For McMillian, the fellowship places him among the most visible American artists working today, and for SAIC it represents another prominent name on its roster of graduates recognized at the highest levels of the field. The foundation will release the full list of 2026 fellows alongside detailed citations explaining each recipient's contribution. McMillian's selection arrives as his work continues to circulate in major museum exhibitions, and the new funding is expected to support the next phase of his studio and research-driven practice.
