The skiable art museum is getting bigger. The Powder Art Foundation has unveiled three new commissions at Powder Mountain in Eden, Utah, ahead of the coming ski season: works by Jenny Holzer, Rose Wylie and Xu Zhen. The foundation was established in 2024 by Netflix co-founder Reed Hastings, who became the resort's majority owner the previous year with a reported $100 million investment, working with former Summit president Alex Zhang as chief creative officer. More than a dozen works are now installed across the mountain, encountered on hiking trails in summer and ski runs in winter. The idea took shape on two trips. Hastings's wife grew up near Storm King in New York, and a summer visit there planted the thought of sculpture set into landscape; a later journey to Naoshima, Japan's art island, brought it into focus. The mountain needed art, and the foundation — developed with Zhang, a former Summit president now serving as the resort's chief creative officer — was the answer. The first works were unveiled in 2025. Holzer's contribution, THE EYE (2026), carves a line by Utah poet May Swenson into a native quartzite boulder. Wylie's Pale-Pink Pineapple/Bomb (2025) is a ten-foot fleshy-pink bronze enlarged from a Ghanaian pineapple found in a market — the 92-year-old British painter's first permanent public sculpture in the United States. Earlier commissions include Kayode Ojo's crystal chandeliers strung through the trees and a Mono-ha stone stack by Nobuo Sekine. The foundation also announced a partnership this fall with Dia, the steward of Nancy Holt's Sun Tunnels and Robert Smithson's Spiral Jetty — two of land art's most famous works, both in Utah. With the mountain as its canvas, Hastings's project is positioning itself as a serious player in the open-air museum landscape.