David Zwirner London will present No Plan at All: Prints from BORCH Editions, an exhibition of new and historical prints from the Copenhagen-based workshop and publisher, from 5 November to 19 December 2026. The presentation traces the studio from its beginnings as an experimental workshop to its present-day collaborations with leading international contemporary artists.

Founded in 1979 by Niels Borch Jensen, BORCH Editions has built its reputation on technically demanding etchings and on a willingness to solve each new project from scratch. The London show places those artistic relationships at its centre, bringing together prints by Mamma Andersson, Georg Baselitz, Huma Bhabha, Tacita Dean, Andreas Eriksson, Nick Goss, Martin Kippenberger, Per Kirkeby, Julie Mehretu, Albert Oehlen, Frida Orupabo, Al Taylor and Rosemarie Trockel.

For Goss, the exhibition includes new etchings, his first works in the medium. Known for atmospheric, layered paintings in which he often screenprints directly onto canvas, Goss builds his own fiction around images of real places found on his travels, among them the Eel Pie Island Hotel in London and Leopold Park in Ostend. Working additively across successive plates offered him new ways into those subjects.

The show doubles as a portrait of a print studio: a place where ambition, patience and technical ingenuity meet. Borch Jensen saw an opportunity to bring to Europe an exploratory approach to printmaking that had grown out of the medium's postwar revival in the United States, and that spirit still shapes the studio's work today. For collectors and print enthusiasts, it is a rare chance to see the range of a single workshop's output, from historic collaborations to work made this year, under one roof at the gallery's London space on Grafton Street.