The Naoshima New Museum of Art in Kagawa Prefecture has announced a two-person exhibition pairing the Japanese painter Kei Imazu with the Indonesian artist Bagus Pandega. Titled "Currents without Anchors" (錨なき流れ), the show opens to the public on 12 December as part of the museum's 2026 winter display rotation. The pairing brings together two artists who work across painting, installation, and moving image, each engaged with histories that refuse to stay anchored in a single place. Imazu is known for canvases that layer art-historical imagery with digital-age sampling, images that quote the past while flickering with the instability of the screen. Pandega, based in Bandung, moves between sculpture, sound, and performance, drawing on Indonesian cultural memory and ritual to build works that feel both ancient and urgently contemporary. For the Naoshima New Museum, still a young institution on Japan's most famous art island, the exhibition continues a programming line that treats the museum as a site of encounter between regional and global currents. The winter rotation format lets the museum refresh its displays seasonally, and this edition hands a substantial platform to a cross-generational, cross-regional dialogue between East Asia and Southeast Asia. Details of the individual works are yet to be announced, but the title suggests a shared interest in drift, migration, and unmoored histories. Those themes resonate on an island whose identity has been remade by contemporary art over three decades, from the first Benesse projects to the newest museum building. December visitors will find two practices that treat the sea between Japan and Indonesia less as a border than as a current to ride.