Alex Margo Arden has opened Nothing Personal at the Nicoletta Fiorucci Foundation in London, an exhibition of hundreds of meticulously recreated personal items belonging to the late singer Amy Winehouse. The show, which runs October 9, 2026, to January 23, 2027, is the result of Arden winning the inaugural Nicoletta Fiorucci Foundation Prize for her stand with the gallery Ginny on Frederick at Frieze London 2025. Winehouse, who died in 2011 at the age of 27, left behind a mythology as notorious and vulnerable as her music. Arden restages aspects of the singer's life in varying shades of authenticity: unused make-up said to have belonged to her, a 400-volume reconstruction of her book collection including Jackie Collins novels, a biography of the Kray twins, and a Jewish cookbook, and a pair of hand-embroidered ballet slippers left outside her Camden Town home by mourners after her death. A birthday card from Mark Ronson and Adele that Winehouse never received is among the recreated ephemera. Since 2021, Arden has studied pixelated images of Winehouse found in online archives, catalogs, newspapers, and magazines to identify specific objects, at one point acquiring 20 copies of the same book to ensure the accuracy of its spine and cover. She calls the results parallel objects, arguing that a hundred books create a more intimate and historically meaningful atmosphere than one or two authentic relics. The exhibition interrogates how celebrity confers invisible value on property, turning ordinary belongings into fetishes, and how the museum can function simultaneously as a place of memorialization and absence. Arden, known for working with museum mannequins and surrogate bodies, extends that inquiry here: there may be no mannequins in Nothing Personal, but the rooms are full of stand-ins for a life that ended fifteen years ago.