The sculpture piles five figures and objects into a precarious tower, topped by a smiling tribute to the late Phyllida Barlow and grounded by a self-portrait of Eisenman herself carrying the load. A wine barrel, a potato, and the artist's cat appear along the way, woven into what Eisenman describes as an abstract portrait of the people and pleasures shaping her world. The composition echoes the Bremen Town Musicians fairy tale, recast as an affectionate monument to artistic life. The work remains on view through 5 February 2027, with a public conversation with curator Mark Godfrey scheduled for 29 September.