Market dispatch·Chicago
'Commercially irreverent' to the end: Chicago artist-run gallery Prairie closes after nine years
Prairie, the Chicago artist-run space founded in 2017 by Tim Mann and Jack Schneider, will close after its final group show, "Retrospective." The gallery championed emerging artists — including Whitney Biennial standout Isabelle Frances McGuire — without ever aiming to turn a profit.

Prairie, the Chicago gallery that spent nine years putting cutting-edge artists on the path to wider recognition, is closing. The artist-run space announced on Friday that its forthcoming group show, titled "Retrospective," would be its last.
Founded in 2017 by Tim Mann and Jack Schneider, Prairie took its name from the ecosystem that thrived in and around Chicago before the region's colonization and industrialization. From the start, the founders wanted a setting "free from the pressures of commercial viability." Schneider described the program as "commercially irreverent" — a phrase borrowed from artist Mira Dayal — noting that through occasional sales, fundraising and grants, the gallery raised only ever enough to keep the program itself running. It never expected to turn a profit, and never did. The closure, Mann said, had been planned for a year and felt like "a nice celebratory moment to close on."
Prairie built its reputation on spotting talent early. Isabelle Frances McGuire, whose beguiling witch sculptures struck a chord at the recent Whitney Biennial, had her first solo exhibition ever at Prairie in 2017. André Magaña, a standout of the 2026 edition of MoMA PS1's Greater New York, had his second-ever one-person show there in 2019. The roster also included Kira Scerbin, Craig Jun Li, Max Guy, Katz Tepper, ASMA, ektor garcia and Amina Ross.
Mann traces the gallery's lineage to edgy Chicago alternatives such as New Capital and Queer Thoughts, crediting the city's relatively low rents with making such spaces possible. He and Schneider plan to keep working together on curatorial projects, just outside the framework of an artist-run space — a quiet coda for a gallery that treated commerce as optional and artists' early careers as the whole point.

