As Frieze London and Frieze Masters open their Regent's Park tents for the 2026 edition, Ocula Magazine's editors have issued their annual roundup of the exhibitions to see around the city during fair week. The guide, published ahead of the VIP days on October 14, directs readers beyond the tents and into the galleries and institutions staging their biggest shows of the autumn season. The headline recommendation is Autumn Knight's I Can't Complain at ICA London, on view until November 29. The show takes complaining itself as its subject: a net suspended overhead holds hundreds of helium balloons, while a sound installation plays recorded conversations and grievances gathered from participants. Recent video works by the Houston-born, New York-based artist complete the installation, including one piece reportedly judged too controversial for inclusion in the Venice Biennale. Also singled out is a new film by William Kentridge at Goodman Gallery, giving London audiences a first look at the South African artist's latest moving-image work during a week when his market visibility is at its peak. The guide frames both choices as examples of programming that speaks to the fair's international audience without pandering to it. Ocula's editors present the list as a corrective to the common complaint that Frieze Week reduces London to a shopping event. The institutions and galleries in the roundup, they suggest, are doing some of their most ambitious programming of the year precisely because the world's collectors are in town — which makes fair week, paradoxically, one of the best weeks of the year to look at art for free.