
Exhibition preview·Paris
Hauser & Wirth Invite(s) hands its Paris rooms to Marie Angeletti
Hauser & Wirth opens 'Hauser & Wirth Invite(s): Marie Angeletti' at its Paris gallery on 12 November 2026. The presentation of recent works by the Marseille-born, New York-based artist is produced with Paris gallery Edouard Montassut and features a text by Dia Art Foundation curator Matilde Guidelli-Guidi.
Hauser & Wirth opens the latest edition of its Invite(s) programme in Paris on Thursday 12 November 2026, spotlighting recent works by Marie Angeletti. The presentation, on the second floor of the gallery's Paris space, opens with a reception from 6.30 to 8.30pm and is produced in collaboration with Edouard Montassut, the Paris gallery that represents Angeletti, with a text by Matilde Guidelli-Guidi, curator at the Dia Art Foundation in New York.
Invite(s) is the gallery's long-running initiative for lending its platform to artists, estates and galleries working at a different scale, and for bringing their work to new audiences. Recent Paris editions have included a presentation of works by Arthur Gillet in August 2026. The programme reflects a deliberate effort to build connections in the cities where the gallery operates, rather than simply filling its own rooms with its own roster.
Angeletti was born in Marseille in 1984 and lives and works in New York. Her recent solo exhibitions have been held at le vite in Milan in 2026, MMXX in Milan in 2025, Gaylord Fine Arts in Los Angeles in 2024, Lars Friedrich in Berlin in 2024 and the Koelnischer Kunstverein in Cologne in 2023, and a further solo exhibition is planned at Edouard Montassut in Paris later in 2026. Her work has appeared in group exhibitions at MoMA PS1 in New York and the Okayama Art Summit, and is held in the collections of the Hammer Museum in Los Angeles, the Musee d'Art Moderne de Paris and several French regional collections.
The Paris presentation gives Angeletti a prominent platform in the city during a crowded autumn season, and pairs her with a writer, Guidelli-Guidi, whose research at Dia focuses on Minimal and Conceptual practices of the 1960s and 1970s and their contemporary legacies.


