Brazilian artist Márcia Falcão holds one of the two entrance stands at Frieze London 2026 with Fortes D'Aloia & Gabriel, presenting a new series of paintings titled "Camuflada" at stand A15 in The Regent's Park from October 14 to 18, 2026. The series centers on marginalized bodies and their struggle to claim space while remaining exposed to the forces that would contain them. Falcão, who is based in Rio de Janeiro and recently appeared in the Bienal de São Paulo, has described the visibility of the entrance placement as putting her figures "in the centre of the conversation." Frieze's "Voices from Frieze London" video series follows her as the fair opens. The entrance placement — shared with Berthold Pott's presentation of Agata Ingarden — gives an emerging Brazilian practice the fair's most trafficked real estate. Frieze London 2026 runs five days across two tents in The Regent's Park, with 172 galleries from 42 countries and regions taking part. For Fortes D'Aloia & Gabriel, the São Paulo and Rio de Janeiro gallery, the stand continues a programme of championing Brazilian artists on the international stage. The new paintings extend Falcão's central preoccupation: how bodies can be made visible without being left unprotected. The title "Camuflada" — Portuguese for "camouflaged" — cuts to the heart of the project. The paintings show bodies that blur into their surroundings even as they assert themselves, probing what it costs to be seen and what it takes to stay protected. It is a theme Falcão has been developing through painting as her primary medium, and the entrance stand gives it maximum visibility. Frieze London’s "Voices" video series follows Falcão as the fair opens. She calls the entrance placement amazing, noting she is "in front of the door," and is happy to put her work where the bodies in her paintings sit "in the centre of the conversation." For an artist whose practice turns on visibility, the fair’s doorway could hardly be a more pointed stage.