The Mori Art Museum will present 'MAM Screen 024: Jakrawal Nilthamrong' from 31 October 2026 to 28 March 2027, screening three works by the Thai filmmaker at the museum's cinema. The programme is part of the MAM Screen series, the museum's platform for artists working with moving image.

Nilthamrong, born in 1977 in Lopburi, Thailand, works across short and feature films, documentaries, and multi-channel video installations. His practice weaves together Buddhist and ecological thought with science-fiction and surrealist imagery to probe the unseen forces shaping human experience. The centrepiece of the screening is 'Rhizome' (2022), a 29-minute video that follows a man adrift on a makeshift raft above a flooded world — a spare, apocalyptic fable characteristic of the artist's interlacing of spiritual and speculative registers.

The exhibition runs alongside the museum's autumn reopening, when it also launches its Mariko Mori retrospective, the Brie Ruais MAM Project presentation, and the inaugural Mori Art Award exhibition for Mari Katayama. Together the four presentations give the season a pronounced emphasis on moving image, embodied practice, and cross-cultural exchange.

For audiences in Tokyo, the screening offers a rare sustained encounter with one of Thailand's most singular moving-image artists outside the festival circuit. The works are shown with Japanese admission via the main exhibition ticket, embedding the programme within the museum's wider autumn schedule rather than treating it as a standalone event. In a season otherwise dominated by object-based presentations, the screening programme underscores how moving image has become a central curatorial language for the museum, and gives Southeast Asian cinema an institutional platform it rarely receives in Tokyo.