Forty-six publishers, artists and arts organisations gathered at New York University on Saturday, 3 October 2026 for the third edition of La Feria, the single-day media and print fair organised by The Latinx Project. The event positions itself as a celebration of contemporary Latine visual culture and an assertion of its place within the broader art historical record, with printmaking as its central medium. Exhibitors displayed zines, academic books, textiles and prints across a wide range of techniques and scales. Some work was produced live on site, underscoring the fair's emphasis on process as well as finished product. Participants included La Force, an all-women artist collective, alongside the Elizabeth Foundation for the Arts' Robert Blackburn Printmaking Workshop, whose director of programming and partnerships, Essye Klempner, presented work made by staff and workshop members including Shellyne Rodriguez, Belinda Lee Medina and Moses Ros. Klempner framed the display as a portrait of the workshop's full ecosystem, from interns to established practitioners. What distinguishes La Feria from commercial art and media fairs is its access model. Artists must apply to take a table, but there is no tabling fee, a deliberate choice that keeps the fair open to small publishers, independent collectives and individual makers who might otherwise be priced out. The format reflects a longstanding printmaking ethos in which affordability and experimentation are treated as core values rather than compromises. The third edition arrives at a moment of growing institutional attention to Latine art in the United States. By keeping the fair free of commercial barriers and rooted in community practice, The Latinx Project has built an event that functions less as a marketplace and more as an annual convening, connecting publishers, artists and printshops around a shared commitment to keeping print culture visible and viable.