Gagosian will open the first solo exhibition of Lee Krasner's work ever held in France at its rue de Ponthieu space in Paris on October 19, 2026. Timed to the eve of Art Basel Paris, the show, "Lee Krasner: Works from the 1960s," brings together paintings and works on paper from the decade in which the artist decisively reshaped her practice. It is organized with Olney Gleason and the Pollock-Krasner Foundation.

The Paris presentation lands amid a wider reassessment of Krasner's career. It follows the landmark European retrospective "Lee Krasner: Living Colour" (2019–21) and coincides with "Krasner and Pollock: Past Continuous" at the Metropolitan Museum of Art in New York (October 4, 2026–January 31, 2027), the first major exhibition to examine Krasner and her husband Jackson Pollock side by side in depth. The simultaneous shows in Paris and New York point to a renewed international reckoning with Krasner's singular contribution to the history of postwar art.

A central figure of the New York School, Krasner (1908–1984) developed a restlessly evolving practice across more than six decades. The Brooklyn-born painter studied with Hans Hofmann and absorbed currents from European modernism — Matisse, Mondrian, Picasso — while helping to shape the language of American abstraction alongside artists including Willem de Kooning, Helen Frankenthaler, Franz Kline and Mark Rothko. Her dialogue with Pollock, whom she married in 1945, was one of the era's most consequential artistic exchanges.

France held a particular significance for Krasner. She traveled to Europe for the first time in the summer of 1956, visiting museums including the Musée du Louvre, and was in Paris when news of Pollock's death reached her that August. The encounter with European painting remained an important point of reference throughout her career.