The Italian-born, New York-based painter Bea Scaccia has opened her debut with Gagosian in "Groomed," a suite of seven new paintings at the gallery's Park & 75 space on Park Avenue in New York. Running from September 22 through December 23, 2026, the presentation is the second in a series of solo exhibitions curated by Francesco Bonami for artists who are new to the gallery, giving them an intimate, single-room-scale debut. Her nocturnal scenes are assembled from the fabrics and accoutrements of feminine style — wigs, costume jewelry, shoes, belts, zippers, plastic chains, hair clips, bows, tassels, and faux fur — set against chairs, beds, ladders, fringed lamps, and candlelight. Scaccia builds matte surfaces from gesso and acrylic, then finishes them with airbrush and passages of oil paint, so the pictures glow softly while withholding their secrets. The bodies that populate these pictures are faceless, with puppetlike limbs sheathed in fishnet tights, and the paintings hover between still life and figuration, as though a costume closet had come alive after dark. Among the works are canvases titled "Training for the Broken" and "A Correct Way to Unravel," whose titles read like instruction manuals for damage and repair. The show is the latest installment of Bonami's project of introducing new painters through tightly focused exhibitions at Park & 75, positioning Scaccia — long known for her figurative language of dress, disguise, and bodily theater — before a new audience with a body of work that treats adornment itself as the subject.