The Blanton Museum of Art in Austin has opened Haas Brothers: Uncanny Valley, the first mid-career survey of twins Nikolai and Simon Haas, the sculptors and designers who have blurred the line between furniture, sculpture and character design since 2010.

The exhibition gathers figurative furniture, plush cartoonish characters and illuminated installations — including what Colossal describes as a brilliant and bizarre strawberry tree — tracing how the brothers built a world that is simultaneously craft-based and digitally fluent. The Austin stop follows presentations at the Cranbrook Art Museum and the Museum of Arts and Design in New York.

The brothers have moved between gallery, museum and design contexts with unusual ease, building a practice in which a chair can read as a portrait and a light fixture as a punchline. The survey traces their trajectory from the anthropomorphic furniture of their early years to the immersive, character-driven installations of recent years — work that has found audiences in both the art world and the design market.

The show carries a personal resonance for its venue: Nikolai and Simon lived in Austin between the ages of 3 and 19, and the survey amounts to a homecoming for two of the city's most celebrated creative exports. Haas Brothers: Uncanny Valley remains on view at the Blanton through January 17, after which it travels to the Mint Museum in Charlotte.

Since 2010, the twins have built a practice that moves fluidly between art, design and craft, finding audiences in museums, galleries and design fairs alike. Uncanny Valley, first shown at the Cranbrook Art Museum before traveling to the Museum of Arts and Design in New York and now Austin, makes the case for the brothers as defining figures of a generation that refused to choose between those worlds.