Taipei's Taiwan Contemporary Culture Lab, known as C-LAB, will stage its 2026 Trans-dimensional Technology and Art Forum on 16 October at the CREATORS shared space on its Air Force Command headquarters campus. The one-day gathering brings together specialists and makers from France, Canada, Vietnam, Austria, the United States, Spain and Taiwan to examine how fast-moving tools such as artificial intelligence and extended reality are reshaping art-making, learning and institutional practice. Entry is free, with simultaneous Chinese-English interpretation and places capped at 150. The morning session turns to education and talent. Moderated by Hsu Chun-cheng of National Yang Ming Chiao Tung University, it features Vincent Rioux of the Beaux-Arts de Paris digital hub on live coding and teaching between analogue and digital methods, Pasiphae Leclere of UQAM's 1P1 laboratory on extended-reality storytelling, and Lim Kok Yoong of RMIT Vietnam on how digital tools can reframe presence and cultural sustainability. The afternoon session, moderated by Tseng Yu-chuan of National Tsing Hua University, looks at curating and institutional strategy. Speakers include Gunalan Nadarajan of the University of Michigan on a Southeast Asian project that rethinks people and technology, Christl Baur, director of the Ars Electronica Festival in Linz, on art as a space for negotiating diversity and conflict in the AI era, Edu Meneses of Montreal's Society for Arts and Technology on three decades of immersive research, and C-LAB's Huang Yi-chih on Taiwan's recent trajectory in tech art. The forum is part of C-LAB's Clear Sky Season and runs alongside the Industrial Technology Research Institute's Art and Technology Future Salon on 15 October at the Chiang Kai-shek Memorial Hall, which approaches the same territory from the research and industry side, covering advanced display, generative AI and interactive sensing. Together, the two events frame a week of exchange on where technology art in Taiwan goes next.