The Asian Art Biennial has published the complete roster of participating artists for its tenth edition, set to open at the National Taiwan Museum of Fine Arts in Taichung from 7 November through 28 February. The exhibition, curated by Lu Pei-Yi, carries the title 'Mrahul Tminun · Co-Weaving', a phrase that pairs an Indigenous-language term with the Chinese and English words for weaving together. Lu's curatorial framework treats weaving as more than a craft reference. It serves as a methodology for presenting Asia as a field of relationships, where threads of exchange, migration, and entangled colonial pasts are pulled into contact. Rather than surveying the continent as a set of discrete national scenes, the biennial is conceived as a fabric of connections. The artist list spans some 29 individuals and collectives across the region. Among those named are Irwan Ahmett and Tita Salina, Mounira Al Solh, Chang En-Man, Sheba Chhachhi and Janet Price, Cian Dayrit, Gudskul, Hylozoic/Desires, Kuo Yu-Ping, Lee Kai Chung and Shen Jun, Meita Meilita, Pallavi Paul, Citra Sasmita, Yee I-Lann, and the collectives Culture Ferment Studio, DAVRA Collective, HomoPleasure Collective, and Womanifesto, alongside the Open Contemporary Art Center (OCAC) and others. Founded as a recurring platform for contemporary practice across Asia, the biennial has in recent editions experimented with multi-curator teams and thematic models. This edition continues that trajectory with a single-curator structure focused on interconnection. With the opening weeks away, attention now turns to how the participating artists will translate the weaving metaphor into installations across the museum's galleries.